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Features

In pictures: Loch Ard photograph highly commended as Outdoor Photographer of the Year winners revealed

By Megan McEachern
February 27, 2019, 1:01 pm
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It attracted a record 20,000 entries and saw photographers from all over the world submitting their most inspiring work. Here we reveal the category winners of the Outdoor Photographer of the Year 2018 competition.

Winning, runner up and highly commended photographs:

At the Water’s Edge – Commended Chris Fletcher (UK) Grand Union Canal, Olton, Solihull, England This shot was taken handheld using the diffused sunrise light to soften the subject and surrounding woodland. This helped to bring out the colour of the autumn leaves and of the boat. I regularly explore the canal network in the West Midlands and in autumn the atmosphere and colour of the waterways offer fantastic scenes to capture. The composition was made easy by the diagonal positioning of the canal and towpath, which gave me a natural rule of thirds image.
At the Water’s Edge – Commended Ian Snowdon (UK) Saltburn by the Sea, North Yorkshire, England This row of houses is known as the coastguard cottages and is situated on the top of Huntcliff at Saltburn by the Sea. I walk this area most days with my partner, and while sometimes we are blessed with beautiful sunrises and sunsets, I have to admit that I love the drama of a wet and windy day just as much. On this particular day I could see that we were in for a treat. The low winter sun produced beautiful light and the darkening sky added to the mood. The shot I wanted was from an elevated view, so I rushed to higher ground. The low winter sun illuminated the turbines beautifully, which were visually engulfed by the dark sky and rough sea.
At the Water’s Edge – Commended Mark Cornick (UK) Reynisfjara, Vík í Mýrdal, Iceland I wanted to create an original image at the well-known black sand beach at Reynisfjara, which is famous for its basalt stacks. I felt that this small cave offered some intriguing possibilities. Not only were the rock formations particularly interesting, but the ice shards hanging down created an otherworldly atmosphere, especially when combined with the black sand.
At the Water’s Edge – Commended Matthew James Turner (UK) Kallur, Kalsoy, Norðoyar, Faroe Islands I spent my final evening in the Faroe Islands at the famous lighthouse on Kalsoy. This wasn’t the picture I’d originally planned, but I loved how from this viewpoint the nearby island of Eysturoy appeared to dramatically surface from the dark waters of Djúpini sound, which literally translates as ‘the depths’. I waited for an accumulating rainstorm to envelop the land, but I had limited time as I was due to catch the last ferry back to the main archipelago. Needless to say, the squall was headed my way and I got soaked on the dash back down the hill.
At the Water’s Edge – Runner-up Alex Wrigley (UK) Wastwater, Lake District, England It was the morning after one of last winter’s vicious storms and I headed to Wastwater hoping for some fresh snow blanketing the iconic peaks at the head of the lake. Unfortunately the gale force winds had stripped the slopes of the majority of the snow, but when one opportunity closes off another one opens up. The clearing storm left a dramatic sky just in time for sunrise, and the eye-wateringly strong winds were creating some coastal-esque waves on the shores of the lake. I waited for the perfect wave and then had to hold the tripod steady to combat the wind.
At the Water’s Edge – Winner Roberto Marchegiani (Italy) Lake Martin, Louisiana, USA The wetlands of Louisiana are a gigantic tangle of canals, swamps and forests that stretch around the great Mississippi estuary. In autumn the great cypresses are covered with Spanish moss. I was there for a week and every day at dawn and at dusk I went out sailing in a small boat. Eventually the fog and the delicate light of dawn turned the bayou into a fairytale setting, and when this small, solitary tree appeared through the mist in the middle of the canal, it looked like the entrance to a mysterious world.
Light on the Land – Commended Marcio Esteves Cabral (Brazil) ESO Paranal astronomical observatory, Chile This image shows ESO's Very Large Telescope (VLT) at work; these are the largest and most modern telescopes in the world. This is a panoramic image consisting of three vertical images. It shows the telescope’s laser guides, which are the most powerful in the world and can reach more than 50 miles. The challenge in getting this image was making a very fast sequence of images in order to avoid parallax errors, because the lasers move along with the stars. As this is a spherical projection the lasers curve along the image.
Light on the Land – Commended Sven Tegelmo (Sweden) Lunsen nature reserve, Uppsala, Sweden The summer of 2018 was very dry and this caused a lot of forest fires in Sweden. Some of these occurred around my hometown, including this one on an evening in July. The fire department extinguished the fire during the night and the next morning there were around 10 volunteers still working to secure the area and prevent the fire from starting to burn again. The ground was still very hot and there were some small fires visible from where I was. The fires cause a lot of serious damage, but at the same time I love the beauty of them.
Light on the Land – Runner-up Daniel Laan (Netherlands) Storvatnet, Flakstadøya, Lofoten, Norway Stjerntinden is a sheer-walled 930m peak rising from the often frozen and snow-covered Storvatnet lake. Along its shoreline the ice is punctured by unyielding rocks, which create tiny ice caves. I decided to put my camera inside this particular one because its curvy roof and virgin snow complemented the inhospitable background so well. However, therein lay the main challenge. I put the camera in from the front, facing out, but had no idea of the composition. I carefully turned the focus ring each shot with a view to making a final focus stacked image. I then lifted the camera for the final frame to reveal more of the mountain and fill the entirety of the cave mouth.
Live the Adventure – Joint Runner-up Alex Palmer (UK) El Capitan, Yosemite National Park, California, USA Two climbers approach El Cap Tower on the The Nose route on El Capitan. I was taking a day off from the route that my partner and I were attempting on the West Face of El Capitan. We headed down to the meadow opposite the peak to watch the climbers on the wall and get some images. The hardest thing I’ve found about photographing this rock face is to get any idea of how vast it really is. I spotted two climbers approaching the El Cap Tower feature and just started to snap photos. When I zoomed in to preview the images, I was really pleased with the scale and atmosphere they showed.
Live the Adventure – Joint Runner-up Alison Perkins (Australia) Sistema Sac Actun, Quintana Roo, Mexico This image shows cave diver Cameron Russo travelling through the Sistema Sac Actun cave system on the Yucatán Peninsula. Photographing underwater caves is difficult. The immensity of the area to light up is a challenge, the water works against you and there are the complexities of maintaining diver safety while executing a photography plan. My partner and I have worked closely together for years to get to a point where I can start to take images like this. I wanted to give the viewer a sense of scale and capture the majesty of the cave, using the cave diver to lead you into the image, but not detract from the main event, which is the cave itself.
Live the Adventure – Winner Greg Lecoeur (France) Rangiroa, French Polynesia Passionate about the marine world, I usually travel to the different oceans of the planet to photograph marine creatures. But in Polynesia it was another type of creature that I immortalised. One of my dreams was to go and face the waves breaking on the reefs and see how surfers were able to tame the power of nature. It was in Rangiroa in the small pass of Avaturu that I dipped my fins with the local surfers. That day the waves were powerful and I hesitated to get into the water but the good lazy atmosphere on the site motivated me and we shared exciting moments in the middle of thunderous waves.
Overall Winner and Light on the Land – Winner Robert Birkby (UK) Near Hebden Bridge, West Yorkshire, England Much of the higher ground in the South Pennines is relatively featureless, but these sheep had found shelter between a snowdrift and dry stone wall. The conditions during this storm were some of the worst I’ve encountered and the gale force wind was driving snow straight at me. I used my trusty 50mm lens with its small front element, cupping my left hand around it as a makeshift lens hood. Holding the camera still in the wind was difficult, so I used a fast shutter speed to keep things sharp and capture the falling snowflakes.
Small World – Commended Daniel Trim (UK) Sandy Heath, Sandy, Bedfordshire, England A European beewolf (Philanthus triangulum) carrying a European honeybee. Beewolfs nest in sandy soil, burying a paralysed honeybee with a single egg. I waited patiently near an unsealed burrow for the owner to return with a victim. On arrival they hover briefly, so I laid down and waited for that split second of hovering before firing a few frames and hoping for the best. Taking multiple shots increases the chance of getting a good wing position. Being at eye-level made the focus much trickier and the hit rate far lower, but when it’s sharp the photo is more intimate and the background much cleaner, which is a worthwhile trade off.
Small World – Commended Pete Hyde (UK) Loch Ard Forest, The Trossachs, Scotland On this morning a friend and I had been watching the clearing mist at Lochan a’ Ghleannain in Loch Ard Forest. Near the western end of the lochan there was an area of mossy humps. I thought this small fern growing up through the frosted tips of the moss made an interesting subject. Using a tripod and a geared head I tried to find a pleasing arrangement for the image.
Small World – Runner up Jay Birmingham (UK) Wyming Brook, Peak District, England I had gone to Wyming Brook in the Peak District to try to capture some landscape shots. Struggling to find any unique angles, I cast my eyes over the smaller features around me and spotted, in the middle of the water, a small mossy island with a solitary bonnet mushroom growing on it. Even better, there was a small waterfall just behind. I crouched as low down in the water as I could to position the mushroom in front of the waterfall, and then used a neutral density filter to capture the path of the water swirling through this beautiful micro landscape.
Small World – Winner Stefan Gerrits (Finland and Netherlands) Parainen, Finland In Finland, the mountain apollo (Parnassius apollo) was one of the first species of insects to be protected by law, as the population decreased because of a disease, acid rain and climate change. The apollos were hardest hit in the south-west, where there had been heat waves and little precipitation. The presence of orpine flowers is critical for apollos and the lack of rain means there are fewer host plants for caterpillars to feed on. I photograph this species each summer, although it gets harder every year; this individual is warming up on a heath that had already turned into autumn colours in June. I overexposed the image to create a high-key effect, which helped to make its red eyes stand out.
Spirit of Travel – Commended Jeremy Flint (UK) Mount Hagen, Papua New Guinea Few lands are as exotic and mysterious as Papua New Guinea, a region of dense, rugged valleys and magnificent tribes. Deep in the jungle highlands of Jiwaka province, I arranged to visit a local tribe in its village. I have always been fascinated with the tribes of Papua New Guinea and wanted to create an image that captured the country’s incredible culture and spirit of humanity. After witnessing a sing-sing (a combination of song and dance) among the tribe members, I captured this moment as two women touched noses to honour their friendship.
Spirit of Travel – Runner-up Peter Racz (Hungary) Lake Baikal, Siberia, Russia There are many ice caves on the shore of Lake Baikal and I took this picture from inside one of them. I was lying on the ice, trying to frame the vehicle perfectly in the gap in the ice. The cave looks far bigger in the image due to the use of the wideangle lens.
Spirit of Travel – Winner Matt Parry (UK) Varanasi, India 64-year old SiyaRam hangs from the beams above the wrestling pit in Varanasi, India, in the middle of doing stomach crunches as part of an intense warm up routine that belied his age. I was in India on an assignment and had wanted to photograph a Kushti wrestling akhara. This form of the sport is steeped in history, culture and tradition but is gradually dying out due to government pressure for participants to move on to a modern mat-based wrestling format in order to compete at international level. SiyaRam has been training in this akhara for 13 years, and what started as a hobby is now a major part of his daily life.
© Judith Conning.
Under Exposed – Runner-up Pier Mane (Italy and South Africa) Protea Banks, KwaZulu-Natal, South Africa Protea Banks is an underwater reef on the east coast of South Africa that is under consideration for protected area status. Amazing creatures such as this cephea (or crown) jellyfish live there. It was the biggest jellyfish I’ve ever seen, over one metre in diameter. Its purple head and yellow fuselage were simply amazing. With no background objects present to provide perspective, and wishing to exalt this crown jellyfish with its stunning colours, majestic size and dancing elegance, I opted to purposefully crop the jellyfish to fill the frame.
Under Exposed – Winner Greg Lecoeur (France) Shetland Islands, Scotland Presumed to have been introduced to the Shetland Isles during Viking times, or maybe earlier, the otter has adapted to marine life and proliferated. More used to living in the rivers and lakes of Scotland, they are now found along the coastline and dive into the sea to feed on marine animals, especially crustaceans – some of the more experienced otters attack octopuses. The otter is a very fearful and shy animal, so to make this image it was necessary to spend time studying its behavior and habits at sea. Once I was immersed, it was necessary to be patient. I was lucky to eventually have the opportunity to capture this image.
View from Above – Commended Ross Farnham (UK) Farnborough, Kent, England This allotment, which is a few miles from my home, was a real draw for me when I first started using my Phantom 4 Pro+, as unlike other allotments that I have seen it is huge. I had already visited this spot when snow hit at the end of February last year and I thought that would be it until the following winter, so when it snowed again in mid-March I headed back to the allotment to take this image. I love the way that the snow has covered everything but the shapes that protrude from each of the plots, which makes it look like an etching.
View from Above – Runner-up Roie Galitz (Israel) Lake Kuril, Kamchatka, Russia Lake Kuril in southern Kamchatka attracts millions of sockeye salmon on their last journey in life to spawn, and the brown bears come to the lake for that reason – an all you can eat salmon buffet so they can gain enough fat for winter hibernation. I wanted to show the abundance of salmon and the lone bear in one image, but from the ground it’s very difficult to see through the water and grasp the quantity of fish, so I flew a drone high above the scene. On seeing the view, my eyes opened wide, as this was exactly what I was looking for. It’s interesting to observe how the fish keep an exact radius from the bear, which in turn is waiting for the right opportunity to charge.
Tom Putt (Australia) Namib Desert, Namibia Flying low over the endless sand dunes of the Namib Desert, I noticed the cloud cover provided this interesting play of light on the landscape. When the sun heats up the dunes, it draws the black minerals to the surface. When I came to process the image, the stunning colours revealed themselves.
Wildlife Insight – Commended Christoph Ruisz (Austria) Lake Neusiedl region, Austria I took this picture of a European hare (Lepus europaeus) on a cloudy morning in March, during the mating season. When I spotted two hares in a field, I hid behind a tree. After some minutes of waiting, I lay down and started crawling in the direction of them. The hares didn’t realise that I was next to them. Suddenly one of them started running in my direction and stopped only a few metres in front of me. I pressed the shutter release and took the first pictures. He came closer and closer until he was within the minimum focusing distance of my lens.
Wildlife Insight – Commended James Lewin (UK) Tsavo East National Park, Kenya The opportunity for this shot happened while I was waiting for an elephant to drink at the waterhole located a few metres behind the camera. My camera was already placed in the perfect positon as I watched the Burchell’s zebras enter the frame. I could never have imagined the way the elements came together, but I couldn’t have been better prepared to take the opportunity. The locusts combined with the fighting zebras tells us a story about how tough the drought is for these animals.
Wildlife Insight – Commended Olav Thokle (Norway) Isfjorden, Svalbard, Norway A few years ago I was part of a photo expedition by boat around the Svalbard archipelago. On the day of departure from the capital Longyearbyen, there was great light that created nice reflections in the water. Some birds followed the vessel out of the fjord and I saw an opportunity to take this sort of image. It was hard to handhold my 600mm lens steady on the moving ship, so I had to use my tripod with a gimbal head. After a couple of hours of trying I got some nice pictures, including this one of a northern fulmar
Wildlife Insight – Commended Roie Galitz (Israel) Pyramiden, Svalbard, Norway The Arctic fox (Vulpes lagopus) is one of the ultimate survivors in the high Arctic, thanks to its super-insulating fur and food storing and collecting strategies. This specific fox’s territory is in and around the abandoned Russian town of Pyramiden, so it is less concerned about people, which gave me the opportunity to get closer without him running away. He felt comfortable and eventually yawned before falling asleep.
Wildlife Insight – Runner-up Jose Fragozo (Portugal) Masai Mara National Reserve, Kenya Imani is a well-known female cheetah in the Masai Mara. She is recognisable by the ‘bracelet’ of spots around the left front leg. This image shows Imani and her cub during a rainstorm, crossing an area with a high density of lions and hyenas. To avoid predators, cheetahs move their cubs around to different places every few days. However, seeing a cheetah moving its cub in a severe rainstorm is a very rare phenomenon.
Wildlife Insight – Winner Salvador Colvée Nebot (Spain) Valencia, Spain I was taking pictures near a waterhole that attracts several species of mammals and birds. I was hidden 30m away and saw that a pair of common kestrels (Falco tinnunculus) were using these dead agave flower plants as a perch from which to access the waterhole. The weather that day was cloudy and the light wasn’t good, so I decided to increase the exposure to create a high-key image.
Young Outdoor Photographer of the Year – Commended Josiah Launstein (Canada) Porcupine Hills near Pincher Creek, Alberta, Canada My dad, sister and I were loading our truck to photograph grizzly bears in the mountains when we saw a streak of yellow fly by. Right away I knew it might be a male American goldfinch, and it didn’t take me long to find him in the native grass on our acreage. I grabbed my gear as quickly as I could and crawled through the grass to get this image of him surrounded by all the other wildflowers. In this image he is snacking on a seedhead known in Alberta as ‘Prairie Smoke’. I couldn’t believe he chose such a colour-coordinated place to perch!
Young Outdoor Photographer of the Year – Runner-up Anya Burnell (UK) Berry Head, Brixham, Devon, England I spotted this common blue butterfly perching on some dry wheatgrass ready to roost as the sun was setting. I set up low in the grass and cleared the area surrounding the subject so there were no distractions in front of the butterfly. Timing was crucial as there was only a brief moment when the sun aligned perfectly behind the butterfly. I really enjoy being among nature in the great outdoors, and this has inspired me to take many photographs of butterflies.
Young Outdoor Photographer of the Year – Winner Riccardo Marchegiani (Italy) Simien National Park, Ethiopia The gelada monkeys are an endemic species to Ethiopia, living mainly in the Simien Mountains in groups that at night find shelter in caves located on steep slopes – some are more than 800m up. These monkeys are very photogenic both for the colour of their thick manes, which are similar to those of lions, and for their red breasts that look like hearts. Every morning they explore the slopes and then return to the caves at sunset.

The competition’s aim this year as always, is to reveal and celebrate the outstanding work of the most highly talented images makers world-wide and offer up a powerful insight into the landscapes, wildlife and nature of the planet.

The overall winner has been named as Robert Birkby from West Yorkshire in England, for his compelling image of a herd of sheep huddled in a snowstorm in the South Pennines.

Professional and amateur photographers from over 60 countries entered the competition, including South Africa, Australia, USA, Canada, Italy, Spain, the UK and the Falkland Islands.

Photographer Pete Hyde’s shot of a fern on the banks of Loch Ard in the Trossachs of Scotland received the highly commended award in the Small World category.

Category winning images were taken from beneath the waves in French Polynesia, the rock-face of El Capitan in Yosemite National Park, the wetlands of Louisiana, the wrestling pits of Varanasi, India, the underwater caves of the Yucatan Peninsula and the snowy South Pennines of Yorkshire.

Head judge, Steve Watkins, editor of Outdoor Photography magazine said: “The judges were blown away by the quality of work that we looked at this year, and it shows that the world of outdoor photography is thriving like never before, thanks to the hard work, fresh thinking and deep passion brought by the photographers.”

The overall winner receives £2,000 and each category winner receives a £500 Fjallraven Award.

www.opoty.co.uk

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