Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Life according to: Ventriloquist and comedian Nina Conti

© Matt CrockettNina Conti
Nina Conti

The ventriloquist chats family, Fringe memories and the risks of inviting audience members on to the stage.

What are your earliest memories of the Fringe?

I had gone as a punter a lot as my grandparents lived in Edinburgh, so I got the No. 10 bus from Torphin into town and saw acts like a young Rhona Cameron, Paul Merton and Joan Collins’ Fan Club.

It was my first exposure to comedy and I was in awe. They seemed god-like and I never thought I would do it. I took the long, scenic route and ended up with Monkey, who seemed like a ticket into it.

Your parents are Scottish actors Tom Conti and Kara Wilson – do you feel Scottish?

I wouldn’t go so far as to say I feel Scottish because I’ve always lived in London, but I consider myself connected to Scotland and I was always there on holiday. When I’m abroad and I meet someone Scottish I feel really Scottish and cling to them with all that I have!

My mum is in Scotland every chance she gets – she needs to breathe the air. My dad’s half Italian but on Burns’ Night, when he reads a poem in Scots, I love it. When he speaks with a full Scottish accent he seems like his most authentic self to me.

One of your ventriloquist dummies, Granny, is based on your mum’s parents?

My granny and grandad are mixed into that character. I loved their patter – they were so adorable, as dry as can be, and they were often fed up with each other but never finished a sentence without adding “dear” at the end, even it had been something insulting. I miss them dearly and I’ve kept them as part of me through the voice.

Your new show, The Dating Show, sees you invite audience members on to the stage as you try to match-make while throwing your voice. Is it a risk inviting people on to the stage?

It’s a horrible risk and I consider myself quite cowardly but I try to choose people who look willing – who aren’t overly keen but don’t look terrified either. Unfortunately I don’t think you can expect any love matches because I haven’t managed to do that even once yet. The devil in me goes for the laugh every time and sabotages any hope of a relationship being built.

Can you remember your first show at the Festival?

It was in 2001 and it was a one-woman ventriloquial farce that hobbled through. It was quite good, I think, but it was a play, so it was a bit weird acting it out with a fourth wall, especially when the puppets are staring straight out into the audience! Pretending there is no one out there doesn’t really work with a puppet show.

What’s the Festival like for you these days?

My mum and my kids come up and they’ll go to Arthur’s Seat or to Portobello while I do my show. At 4pm I turn into a pumpkin who becomes a prima donna and needs a nap! There are all these different parts of Edinburgh I know; the family parts, the show parts, the pub parts – although I’ll be doing less of that this time because I’ve stopped drinking for the past year.

What does the Festival mean to you?

It’s been everything to me. That’s not an exaggeration. It’s the reason I fell in love with it all in the first place, before I ever did it.

I used to come here and see how much fun everyone was having and wonder how you got into a show. I couldn’t work it out. I’ve made great friendships here, and I think you grow a little through the people you’ve surrounded yourself with, so it’s been very defining for me.

The fact I come every year shows that I need it for my wellbeing or something. I find it inspiring to see other shows and the atmosphere of the festival cannot be found anywhere else. All that condensed activity and artistic explosion, I find so invigorating and inspiring. I feel that there’s something quite romantic about the whole thing.


Nina Conti: The Dating Show, Pleasance Grand, Edinburgh, August 3-28