Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Meet the author: Tina Orr Munro on debut novel Breakneck Point

© SYSTEMTina Orr Munro
Tina Orr Munro

New author Tina Orr Munro is no stranger to brave change. After university, she started working life as a Scene of Crime Officer (Soco), before later becoming a teacher of history and English and finally a journalist.

But it’s only now, at 55, that the former Policing Insights magazine editor is following her true calling as a novelist – having at 14 written her first fiction for a school summer project contest. The mum of three laughs as she tells P.S: “My teenage novel was hugely plagiarised from the one I had just read and I didn’t win.”

It took a lifetime of experience, a supportive family (her husband Richard Place, 56, runs Chestnut Media), and a six-month online course in creative writing with publishing giant Curtis Brown to get there. But her gripping serial-killer debut, Breakneck Point, set in the Devon seaside town of Bidecombe, meant she had to revisit feelings evoked by the suspicious deaths she dealt with in the past.

Orr Munro tells P.S: “I saw numerous bodies. We were exposed to the most horrific sights imaginable and we accepted that it was part of the job. For me, it wasn’t always the dead that I found upsetting. It was those left behind.

“I remember a job where I had to find fingerprints in a boy’s bedroom to match with the fingers of a badly decomposed body. As I dusted his room for fingerprints I came across photos of him, happy and smiling. It was such a tragic waste. Downstairs, I could hear his mother sobbing. Afterwards I drove round the corner, pulled up and burst into tears.”

She adds: “I knew that if I was serious about giving my character fictional veracity, I would have to revisit long buried and even deliberately suppressed feelings about the crimes I attended as a Soco. The question was, could I go there?”

Thanks to the support of her agent and editor, she did. And the result surprised her: “I’d forgotten how angry the job had made me. You have a victim of crime and you just can’t fix it. I would come away thinking they didn’t deserve it, their life has been devastated and whatever I am going to do is going to be a fraction of what they need, which is that the crime didn’t happen in the first place.”

Cue her lead character, crime scene investigator Ally Dymond, who is dispatched to the backwaters of Devon for exposing corruption in the ranks. Her caseload now comprises only the pettiest of cases until the body of Janie Warren turns up in the seaside town. Ally spots a clue that contradicts the lead detective’s cosy theory, but no one wants to listen to the woman who landed colleagues in prison. Meanwhile, a killer is lurking in plain sight.

The writer – mum to Frank, 25, Rose, 23, Joseph, 18, and Alice 15 – based Dymond, who she was determined would not be a victim, on her sister Dianne Cooper 59, a nurse with a “fierce sense of right and wrong”. It is dedicated to her and to oldest sister Nicky Parnell, 60, a family support worker, mum Jan Munro, 82, and her late dad Eddie who would have been 87.

She says: “I grew up in Devon and I have a Greek Armenian father and that is reflected in Ally. She’s on the outside but has made her home there. I wanted to show that Devon is beautiful but it has this undertow.”

Orr Munro’s second Dymond offering is due out in March next year and she already has the plot for a third. The novelist says: “I have some tantalising ideas for it.”

Clearly, this could turn into a gem of a series.


Tina Orr Munro – Breakneck Point, HQ, £14.99